Quiet Riot Discografia Download Rockdownload

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Quiet Riot Discografia Download Rock Download Torrent

Quiet Riot is an American heavy metal band, best known for their hit singles Metal Health and Cum on Feel the Noize. The band was founded in 1973 by guitarist Randy Rhoads and bassist Kelly Garni under the original name Mach 1, before changing the name to Little Women and finally Quiet Riot in May 1975. The band's name was inspired by a conversation with Rick Parfitt of the British band Status Quo, in which Parfitt said he'd like to name a band Quite Right, and his thick English accent made it sound like he was saying Quiet Riot. The band is ranked at No. 100 on VH1's 100 Greatest Artists of Hard Rock.The original line-up featured Rhoads and Garni with lead vocalist Kevin DuBrow and drummer Drew Forsyth.

Their most commercially successful lineup consisted of DuBrow alongside guitarist Carlos Cavazo, bassist Rudy Sarzo and drummer Frankie Banali, and in. One night in 1981, I made my way to a hotel, to see the band who was playing there. When I got in I walked up to the incredibly small stage, looked at the complete backline of floor to ceiling Marshalls, looked at the size of the amps either side of the stage, then checked again just how high the ceiling was (not very), and knew it was going to be loud, very loud. At 11pm four ex-skinheads from Wolverhampton took to the tiny stage, and promptly tore it up. There will only ever be one Slade, a band that wrote hit after hit, and were metalheads through and through. Quiet Riot have made a career on trying to be Slade, and within the 15 songs on offer there are two Slade covers, but neither are as good as the original.

To be honest, Quiet Riot aren’t as good as Quiet Riot used to be, and then with a sound engineer who has gone missing in action the result is a mess.The line-up features both Frankie Banali on drums and bassist Chuck Wright, who both performed on ‘Metal Health’, guitarist Alex Grossi, who has been in the band for 14 years and new singer James Durbin, who was on 'American Idol' during the tenth season. This doesn’t feel like a live album, more like a good quality bootleg, and it is obvious there has been no “cleaning up” whatsoever. The drums are way too high in the mix, so much so that Banali is often more to the fore than Durbin. Durbin has a good rock voice, just needs to understand his stage patter was out of date in the Eighties, let alone now, and I could quite happily go without hearing him shouting to the crowd, saying how amazing Franke Banalie is etc.There aren’t many highlight to be fair, as this is an album to be endured as opposed to enjoyed. “Thunderbird” is performed with a piano for the first time since it was recorded, but the Slade songs don’t hit home as they should, “Bang Your Head” doesn’t have the power it deserves (I still have the single I bought at the time!), and the rest are, well, not something to be proud of. The sound is not nearly as clear as it should be, the audience microphones are missing in action, as are the backing vocals, but the drums are always there.

QUIET RIOT is one of those band’s with enough messed up history to create an HBO mini-series drama mostly thanks to singer Kevin Dubrow. The band was started as far back as 1973 by the guitar god Randy Rhoads who would only reach full potential and glory by pairing up with Ozzy Osbourne after the exodus from Black Sabbath. While many members came and went throughout the 70s including two mediocre albums before Rhoad’s readiness for prime time, several things went down in the 80s that led to the recording and release of QUIET RIOT’s third album METAL HEALTH which is the album everyone knows as the single release that catapulted heavy metal into the mainstream popular culture. This album, mostly with the help of the fledgling MTV’s heavy rotation of “Cum On Feel The Noize,” shot up to the number 1 position on the Billboard chart as well as having the aforementioned Slade remake hit the Top 5 and the title track cracking the Top 40.After two albums, Rhoads got wooed away to audition for Ozzy and ended up getting hired on the spot while warming up for an audition. After that sobering reality, the rest of the band called it quits but after the untimely death of Rhoads in an airplane crash in 1982, the band members who had been writing material for the prior years suddenly found themselves with a renewed surge of energy that was rekindled. After deciding to reunite and record all these songs, the band ultimately settled to reemerge as QUIET RIOT in honor of Rhoads and after finding a suitable guitarist replacement with Carlos Cavazo, alligator mouth Kevin DuBrow, bassist Rudy Sarzo and drummer Frankie Banali found instant success of the greatest magnitude with METAL HEALTH.Musically this is pretty much similar to all the glam metal of the 80s that you’ve all heard before.

It is basically bluesy metal with teenage hormone induced lyrics screaming and celebrating the mindless pleasures of life whether it be the art of insanity (title track), the love of extreme decibelage (“Come On Feel The Noize”), love of cars (“Slick Black Cadillac”) or inability to find love (“Love’s A Bitch”) but this album certainly has attained the honor of becoming a milestone in history as the entry point for metal music to become a majorly hot selling phenomenon and able to generate chart hit singles as well. Granted it’s all very catchy pop rock but everything is amped up with plenty of attitude and distortion to create some veritable noise within the popular music scene of the early 80s when new wave, synthpop and AOR were reigning supreme.Listening to this in the 21st century is rather amusing.

It is very much a product of its time which is basically an updated 2.0 version of 70s glam rock as heard by bands such as The Sweet. However, DuBrow had quite the set of pipes and could belt out those adolescent lyrics like nobody else in the biz. The band successfully adopted the glam image which along with a give no middle fingers attitude that propelled them up the MTV ranks and into Generation X’s highest ranking of “bug-yer-parents” music. To be honest, this music is quite silly in all its faux pomp and swagger, but i have to admit that the tracks are pretty catchy as pop metal goes and the sound of the vocals and instruments together is quite well performed. While the band would continue their musical soap opera with DuBrow continuing his tasteless antics and band members sifting through the lineup like sand grains through an hourglass, the band did hit it huge for this brief moment in time and cemented their name into the history books. There are some strong tracks (title track, “Love’s A Bitch,” “Battle Axe,” “Slick Black Cadillac”) as well as some lesser ones on this surprise hot seller but unfortunately the moment waned quickly and QUIET RIOT who was neither QUIET nor a RIOT but somewhere in between would simply be a catalyst to allow the much more talented underground bands behind the scenes to step into the limelight leaving QR to be a footnote, albeit significant one in the metal archives.

If there's a band that's quickly shot to the stardom and then fell hard on the ground in no time, then perhaps Quiet Riot is the right name. Imagine how they woke up from the ashes in 1983, spawned a 6-million sales breakthrough album, 'Metal Health', and then were forgotten in the blink of an eye. Thanks to the huge hit of Slade's cover, 'Cum On Feel The Noize', Quiet Riot etched their name as the first American heavy metal debut to ever reach Billboard #1 chart in 1983.Aside from that big hit, there are quite a lot of great tracks to listen inside.

From the catchy riffage of the title track, the invitation to bang your head raucously shouted on the great chorus, and this track secured them a prestigious opening slot for Scorpions. 'Slick Black Cadillac' which was recycled from their second album is a fun party tune that will blow your roof away.

'Run For Cover' has a nice solo performed by Carlos Cavazo, and the instrumental track, 'Battle Axe', is also worth checking out. The ballad 'Don't Wanna Let You Go' and 'Thunderbird' are both good though I think they're better with the uptempo tracks.' Metal Health' is an inventive release and considered as one of the most important releases that influenced the early growth of glam metal.

This album is full of flaming riffs, bodyshaking groove, brilliant vocal performance by the late Kevin DuBrow, and highly recommended for fans of glam and traditional heavy metal. 1983; what a year for metal and this was the year when Quiet Riot became mega stars. Their album 'Metal Health' lauched them into the stratosphere. Even non metalheads grabbed this as it was spawning a new generation of listeners with seductive radio play of the quintessential singles Cum on Feel the Noize and Metal Health.Slick Black Cadillac is a great track with awesome riffs and the lead work is fabulous.

Love's a Bitch is a fun satirical thrash out, and Run for Cover was melodic metal at its best. One of my most favourite and a well played tune was the guitar solo fretmelting missile blasting Battle Axe, which served as a nice lead guitar transition to Let's Get Crazy.A nice way to be introduced to Quiet Riot, quite a commercial sound but still peppered with lead breaks of screaming string bending action and raucous vocals. This was a loud album and was meant to played loud at parties. Dated as it is today it is an historical look at the birth of the new metal onslaught of the 80s.

Great RR Fan AlbumRandy Rhoads named and created Quiet Riot, though he had moved on to greener pastures long before their breakthrough. During his time with the band in the late 70's, two albums were recorded and released in Japan.

These albums were long sought after by Rhoads fans like myself but almost impossible to obtain.Rhoads mother along with Kevin Dubrow finally got hold of the tapes and did some major work on them to make this product available. Clearly, alot of love went into this, and this fan appreciates their time. The result is a great example of Randy's formative years and how his sound evolved over time.Two things stand out: Kevin Dubrow has always been Kevin Dubrow and Rhoads really did get alot better over his time with Ozzy. All of the seeds for his classic work are present on this CD, and in fact some of the big riffs were used on Quiet Riot songs (the main riff to Suicide Solution, for example).The songs in general are pretty raw, even in comparison to the big Quiet Riot albums of the early 80's.

'Last Call for Rock n' Roll' is probably the best actual song. The feature is a live version of Randy's guitar solo showpiece, here titled 'Laughing Gas.' Many of the elements he would use later are already evident, but he also does some things that he would abandon during his time with Ozzy.Bottom Line: Great, for Randy fan boys.

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